Tuesday, 28 February 2012

ACTION ADVENTURE

In today's lesson we do real exam practice: Stormbreaker (Geoffrey Sax, 2006).
Alex Rider thinks he is a normal schoolboy but after his uncle's death he finds that he was actually a spy. Alex is recruited to continue his uncle's work. He has to protect Britain from the evil Darrius Sale whose henchmen we see in this clip. Alex is on this dangerous mission in this clip.
LESSON today and Thursday 1 March :
  • Explain two ways in which the events in the trailer fit the action adventure genre (10 marks)
  • Explain how each of the following is used to create effects: the soundtrack, camerawork, editing and mise-en-scene (20 marks)
  • Discuss the ways in which people are represented. Make reference to stereotypes (20 marks)
PREP for Thursday 1 March: write up the notes made in the lesson. Print your work.
HAND IN THIS PREP ON MONDAY 5 MARCH

Friday, 24 February 2012

ACTION ADVENTURE

Today we discuss several news items and their relevance to our course before working on the Action Adventure genre and our Powerpoints.
  • Journalist Marie Colvin's death in Syria. We discuss the need for frontline, objective reporting, which in war means going to places torn by chaos, destruction and death, and trying to  bear witness. For Colvin, it meant 'trying to find the truth in a sandstorm of propaganda when armies, tribes or terrorists clash.'
  • New technologies: Google X ‘plan for mobile phone-glasses’
  • Adele's success in the music industry and the reason for staging music awards like the Brits
  • BAFTA film nominations: the films and their audiences

PREPView a trailer from the Action Adventure genre.
  • Explain two ways in which the events in the trailer fit the action adventure genre (10 marks)
  • Explain how each of the following is used to create effects: the soundtrack, camerawork, editing and mise-en-scene (20 marks)
  • Discuss the ways in which people are represented. Make reference to stereotypes (10 marks)
HAND IN THIS PREP ON FRIDAY 25 FEBRUARY

Monday, 20 February 2012

ACTION ADVENTURE GENRE

Today we return to the Action Adventure genre in preparation for our exams. We create PowerPoints which we will post on Slideshare. We cover:
  • genre codes and conventions
  • sub genres and hybrids
  • war films
  • hero types
  • American heroes
  • binary opposition
We use the opening of A Matter Of Life And Death (Powell and Pressburger 1946) as a case study.

Wednesday, 8 February 2012

EXPLAINING GENRE CODES AND CONVENTIONS

In your Powerpoint Evaluation, you have to explain forms and conventions used in your film opening:

Titles, distribution & production company
Mise-en-scene(locations) 
Costumes  
SFX 
Sound 
•Atmosphere 
•Suspense, tension 
Enigma
Do you remember studying the opening titles of the BBC television drama ZenWATCH ZEN HERE 













Think of analysing your own work in the way we analysed Zen. You might draw attention to its use of codes and conventions in this way
Zen establishes its crime/detective genre rapidly in its opening sequence through mise-en-scene: guns suggest the world of police work and criminals, the Questura building sets the scene in Rome's police headquarters, keys refer to imprisonment.
The central characters are introduced immediately and seen in close up and mid shot to convey their significance. They are presented entirely in still photographs, like a newspaper photo or surveillance shot. The black and white tones lend a serious, professional quality to the depictions: these are people involved in serious work. Zen himself wears a suit and tie and is seen wearing dark glasses and through a constricted frame, as if concealing himself. This builds in enigma and mystery. He holds a gun, is poised to shoot, is in action. Caterina is glamorous, professional, Italian. Both central characters are attractive, offering hints of a romantic connection.
The music is haunting and lyrical, rather wistful, conveying the sense of potential beauty despite the dirty criminal world.
The design style is a grid-like division of the frame into sections with horizontal bars slicing through the visual space like prison bars sliding shut.
There are many indicators of Italianicity, that is, the world of the drama: the red, white and green of the Italian flag is used, Fiat cars line up on crowded streets, the outline of St Peter's famous dome is glimpsed and a wide shot of St Peter's Square lends authority. Altogether, authenticity and verisimilitude is established. We have no doubt that this world is real.
The choice of the title 'Vendetta' immediately establishes the genre with its sense of threat, danger, crime and tension.